22min


Devour the Earth clearly illustrates the environmental consequences of human activity and the effects of the meat-based diet on our beautiful, precious planet. Scientific evidence now endorsed by the United Nations and the Intergovernmental Panel on Climate Change (IPCC), clearly demonstrates the chilling fact that meat eating is the main contributor to global warming and has countless other adverse effects on the earth as well. Beautifully narrated by Paul McCartney, one of our animals' best spokespersons and famous vegetarian; he walks the talk.

115 min.
About the billions of tons of earth that humanity mines, excavates, and shifts about - all part of our relentless pursuit of planetary dominance. From fracking in Aberta's tar sands to the flattening of mountains in California for commercial development purposes, this film shows that we have left almost no stone unturned.

95 min.
The philosopher Tom Regan remarked, "For those who watch Earthlings, the world will never be the same." Indeed, the footage in this documentary is so disturbing that many of its viewers have consequently become vegetarian or vegan. However, these graphic scenes of animal suffering and death are merely business as usual for the animal industrial complex, a system that has decimated our planet and harms animals and humans alike on an unprecedented scale. Additionally, this film examines the for-profit use of animals in other industries - as pets, scientific research subjects, entertainment, etc.

85 min.
This documentary is about the Earth Liberation Front, a radical activist group devoted to environmental and animal rights-related causes. Their tactics included damaging facilities involved in animal testing and deforestation, which caused the US government to mark them as high-level terrorists. Some members were taken to trial and sentenced to jail. Although it's easy to decry the violent nature of the ELF's acts, the state's institutionalized violence towards both the environment and peaceful protesters should also be called into question.

Their employer refuses them safety helpers, so Chicano miners of the International Union of Mine, Mill, and Smelt Workers strike. When the mine owner cites the Taft-Hartley Act and gets an injunction, the miners' wives replace them at the picket. Told by Esperanza (Revueltas), wife of union foreman Ramon (Chacón), the movie is less well-known than the story of how it was made. Its creative team - director Biberman, co-writer Wilson, and producer Paul Jarrico - were blacklisted as communists. Continually harassed by government and studios, they had to complete "Salt" in secret. Revueltas, one of the cast's few professional actors, was deported, so shooting resumed in Mexico. The completed picture was banned in the U.S. until the 1970s, after one screening in one New York theater.

Revueltas, Geer (as the sheriff), Williams (as Hartwell), and Clinton and Virginia Jencks (as Frank and Ruth Barnes) were professional actors; the rest were union workers whose strike inspired the story. Events and the miners' lives and culture are shown faithfully. Given its production, the film is wonderful, emotionally-dynamic, and omits gratuitous romance, melodrama, and condescension. Revueltas is great, conveying shyness, strength, and heroism. Watching this 1954 movie, we see that although the decade was highly conventional and reactionary, it had depths and diversity of thought.

Another fascinating aspect of the movie is its depiction of gender issues. The miners refuse to demand home-heating or proper sanitation; those seem too unimportant until their wives fill the picket line, and the men must do the wash and care for children. Then they see how hard their wives' daily lives are. At first, the men oppose their wives' striking; Ramon even yells at Esperanza. Her feminist reply makes the viewer believe enlightened opinions of sizable minorities from that time did exist, but were hushed by the film industry and subsequent decades' history books.

Salt of the Earth repeats the old cry, "People united can't be defeated." A modest, engaging social drama, Salt is brilliant in contrast to the timidity that surrounded it. Such works can never be "ordinary."